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Je parlerai de l'un d'entre eux : l'Iran. Je ne saurais vous recommander de ne pas suivre cette voie. Nous sommes en Europe, et la Russie aussi.


Vous aurez chaque jour des preuves de ne pas aller dans ce sens. Pour ma part je ne crois pas donc il faut avoir ce dialogue avec la Russie. Mais est-ce que cette situation est durable? Cette construction elle doit se faire dans le respect, l'exigence. Nous avons commis des erreurs profondes il y a 10 ans sur ce sujet. Ne poursuivons pas cette logique. C'est indispensable. Souverainisme est un joli mot. Regardez le chemin accompli depuis 2 ans.

L'Afrique du Nord : État des travaux

Chose que je vous demande de mesurer. Et je dois le dire, c'est un peu notre faute collectivement. Parce que l'industrie de demain ne sera que compatible avec cet agenda. Sur la 5G, quel est notre choix? Pourquoi nous trouvons-nous dans cette situation? Il nous faut aller encore plus loin. Nous avons le sens du paradoxe. C'est fou. Donc, nous devons parler avec tous les groupes. Les sujets se technicisent. Et donc, quand les sujets se technicisent, le risque, c'est qu'on perde la vision d'ensemble.

C'est fou! Je ne reviendrai pas ici ni sur la Syrie ni sur la Libye. Parce que je pense que les conditions ne sont pas remplies sur le territoire. Mais je suis aussi convaincu d'une chose, c'est que le statu quo ne fonctionne pas et qu'il n'est pas soutenable.

Chapter 5 - The Birth and “Take-Off” of Feminism in Republican France1

Certains ont pu parfois me reprocher des silences mais ces silences n'ont jamais valu inaction. Venez en France, c'est formidable. Donc nous pouvons nous inspirer des erreurs faites et nous en instruire. Beaucoup de choses sont en train de bouger. Nous avons maintenant convaincu beaucoup d'autres et je pense que nous allons finir le travail dans les prochaines semaines. Celles sur les gaz HFC, celles sur le transport maritime, ou celles sur le textile. Mais surtout il y a neuf pays en Amazonie.

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On voit que le cadre international change. Il nous faut aussi construire la bonne gouvernance et le cadre international pour construire l'action utile. Je crois que c'est indispensable.

Formulaire de recherche

History is mostly about wars and conquest and inhumanity, and it has a great deal of narrative punch when compared to any given human life. When we do so, however, we are likely to find that history belittles our story, and that a panoramic view tends to trivialize the details of which it is composed. Un ou deux millions de morts en quatre ans. Six millions dans les camps nazis. Vingt au goulag. How can one attenuate that effect when putting history into play in a novel?

Is a humanistic history possible? What went wrong, so quickly and so dramatically, allowing utopia to become dystopia? What is there about the revolutionary ideal that becomes perverted in the world? Is there something about that ideal that breaks down in practice, or when it is called upon to assume human dimensions? Does the fault lie in political philosophy or in the very nature of people? He wonders, for example, whether culture—and especially literary culture—can have any effect upon revolution, either for the better or for the worse.

How can Duch, the former head of the Khmer Rouge internal security apparatus and commandant of the Tuol Sleng prison camp, a man accused of having tortured and murdered thousands upon thousands of people, how can Duch recite Vigny at his trial? It is not the first time that the question of culture and terror has been asked, of course. There are many other instances where that question arises, most notably in examinations of the European Holocaust.

Le G7 face à l'enjeu de l'égalité femmes-hommes

If Deville focuses so closely upon literature, it is because, as a writer, he is quite naturally concerned about the uses and abuses of literature. Human greed, for instance, and the allure of new capitalism can account for some of those examples. A trial is a forensic dynamic, first and foremost, one that is intended to discover the truth.

Cette dilation du temps.

Un ou deux millions de disparus au Cambodge en moins de quatre ans. In other words, the trial is lacking in narrative interest, and that is an important concern for Deville.

Patrick Deville’s Novelty | Motte | Revue critique de fixxion française contemporaine

By the time Duch is convicted and sentenced, a year and a half after his trial began, Deville is thoroughly disillusioned. Like the revolution, the trial has gone badly awry. It has been put to uses for which it was never intended, and it tells a story that is very different from the one that a forensic fundamentalist might have anticipated.

Newspapers are yet another way of coming to terms with the world, but unlike history they focus upon the immediate, upon very recent and indeed ongoing events. That kind of overview allows him quickly to invoke, one after the other, the Khmer Rouge trials in Phnom Penh, the arrest of the head of a drug cartel in Mexico, the trial of ex-President Alberto Fujimori in Peru, the International Criminal Tribunal for Rwanda in Tanzania, and the trail of former Croatian generals in The Hague. First, it allows a brief contextualization of the Khmer Rouge trials in terms of contemporary events.

Second, it serves to remind us that crimes against humanity are not lacking in the world, and that what happened in Cambodia was not absolutely exceptional. His Minuit novels clearly privileged the latter over the former. The world that they sketch is not a particularly referential one, and little regard is given either to history or to the phenomenal present.

In this affiliation, what we see is the suggestion of a process in which fiction and reality cannot be usefully—that is to say, productively —disintricated. It is an especially burning question for him, regardless of the shape it assumes. What can literature achieve in the world? What are its possibilities and limitations? What is its proper role, and what is its responsibility? What can one expect of it? Again and again he returns to the early apprenticeship in literature—and notably French literature—of many of the Khmer Rouge leaders.

That astonishes Deville, patently, and it scandalizes him, too. It is not only Duch reciting Vigny that shocks him, it is also the fact that Pol Pot himself studied literature as a young man, went to France to pursue those studies, and returned to Cambodia to become a teacher of literature. Yet both were deeply informed by literature.

Does literature then have absolutely no effect upon human beings and how they behave? Or is it more a matter of what one does with literature? Deville tends toward that latter conclusion. And if his efforts to renovate the French novel have a political dimension to them, those politics are in the first instance communitarian, that is, they embrace the idea of literature as a kind of community.

The notion of resistance is a crucial one. It is a central term in his theory of literature, and it is a key figure of all of his recent writings. Literature is, and must be, both artifact and tactic. A couple of things could be noted about that referential field. For one, it is very heavily skewed toward Western writers, and more particularly still toward French writers.