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Crazy Credits. Alternate Versions. Rate This. A chance encounter between a disgraced music-business executive and a young singer-songwriter, new to Manhattan, turns into a promising collaboration between the two talents. Director: John Carney. Writer: John Carney. Watch on Prime Video included with Prime. Added to Watchlist. From metacritic. Tribeca Gala. Movies My alltime favourite movies. Thank you for my adulthood. Share this Rating Title: Begin Again 7. Use the HTML below.
You must be a registered user to use the IMDb rating plugin. Best Musical Performance by an Actor in a Film? Nominated for 1 Oscar. Learn more More Like This. Once I Drama Music Romance. Sing Street Comedy Drama Music.
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Edit Cast Cast overview, first billed only: James Corden Steve Keira Knightley Gretta Mark Ruffalo Dan Hailee Steinfeld Violet Yasiin Bey Saul Karen Pittman Business Woman Paul Romero Bartender Catherine Keener Miriam Andrew Sellon Christian Father Ed Renninger Barman as Edward Renninger Eric Burton Singer Songwriter 2 Adam Levine Dave Marco Assante Marco Mary Catherine Garrison Jill Jen Jacob Edit Storyline Gretta Keira Knightley and her long-time boyfriend Dave Adam Levine are college sweethearts and songwriting partners who decamp for New York when he lands a deal with a major label.
Country: USA. Language: English. Runtime: min. Sound Mix: Datasat Dolby Digital. Color: Color. Edit Did You Know? Trivia Keira Knightley had to learn play guitar for the role. We can never forgive the Sex and the City movies for what they did to Stanford and Anthony. Enter Kissing Jessica Stein, which even 16 years later remains one of the few mainstream, widely distributed romantic comedies to focus on same-sex attraction—and between queer women, no less, who are even tougher to find in these sorts of movies than queer men.
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Only in the rom-com to end all rom-coms would you have leads named Andie Anderson and Benjamin Barry. He, meanwhile, is simply trying to prove he can make any woman fall in love with him. Kate Hudson and Matthew McConaughey sold their characters with wit and panache—throwing themselves into the roles completely, but delivering certain lines with just a whiff of irony. What to do about Annie Hall, an indisputable masterpiece whose reputation has arguably been overshadowed by the troubling allegations lobbed against its writer, director, and star nearly two decades after its release?
On separate occasions, Diane Keaton, delivering her signature performance, gets to be both. Even so, the film has a certain magic to it—a wistful sweetness underpinning its remarkably quotable jokes, rounding out what could have been an episodic collection of very good punch lines. Kenneth Branagh! Emma Thompson! Denzel Washington!
Keanu Reeves! Michael Keaton! Kate Beckinsale! Robert Sean Leonard! The cast alone is worth much ado—and in execution, too, this production also directed and scripted by Branagh sings. In the ever-sparring Beatrice and Benedick, whose sexual tension is only heightened by their equally sharp tongues, Shakespeare created an archetypal couple whose bantering dynamic would inspire countless imitators and descendants—and Thompson and Branagh embody the lovers beautifully, imbuing centuries-old characters with modern wit and charm.
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A more recent adaptation—the version directed by Joss Whedon —is also worth a look for rom-com historians. Kissing someone on the eyelids never looked so romantic. Is The Apartment even really a romantic comedy? I guess the term we use nowadays for a guy like C. One of the brilliant things about The Apartment —especially now, with our new sensitivity to workplace harassment and the bad behavior of men in power—is that even from the vantage of , the movie knew just how transactional sex and romance could be, sometimes willingly and often not.
Austin Collins. Instead of one marriage, there are a whole slew of them. A fairly central character is killed off precipitating the funeral of the title. The ensemble cast is charmingly quirky particularly the late Charlotte Coleman , but Four Weddings is best known for launching Hugh Grant on his long career as an awkward, floppy-haired, stuttering romantic hero who somehow overcomes his deeply British reserve to confess his true feelings. The movie is an unabashed confection: candy-coated to the point of causing cavities, and excessively rich with wink-winking nods to the Doris Day movies that inspired it.
But its characters do: these are people who know the strategic ins and outs of romance, and spend an entire movie one-upping each other. At the center of all this silliness is a character who truly deserves a happy ending—but not at the expense of the newfound freedom she inspired in everyone else.
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Cary Grant and Rosalind Russell teamed up for this fast-talking newspaper screwball comedy from director Howard Hawks. The film is older than most of the other rom-coms on our list, but in many ways, it was before its time—a media-world romance fueled by talky, mile-a-minute romance banter that posited the chemistry between Grant and Russell as a meeting of equally sharp minds with the same nose for news.
Julia Roberts rebounded from a little career slump if you love trouble and want something to talk about, watch Mary Reilly with this utterly effervescent anti-romance, a prickly and witty comedy of jealousy that finally let Roberts show the hard edge lurking behind her thousand-watt smile. Eventually, he finds a second chance at love via a radio show, an homage to An Affair to Remember, and a manipulative 8-year-old, played with aplomb by Ross Malinger. Sleepless in Seattle even in a pre-Google, pre-LexisNexis environment. James L. Brooks wrote, produced, and directed this seven-time Oscar nominee, which put a slight little Southerner named Holly Hunter on the map and predicted the slow decline of American journalism.
But above all, Broadcast News is a love story—between three career-minded journalists and the industry they adore, which tangles them into an achingly empathetic love triangle that puts each character on a path to heartbreak.